Anagarika Munindra and the Art of Practicing Through Doubt

I find myself thinking of Anagarika Munindra whenever the practice seems too cluttered, too flawed, or filled with uncertainties I cannot silence. Curiously, I never had the chance to meet Munindra in person, which is strange when I think about it. I have no personal memory of sitting with him, listening to his speech, or seeing his famous pauses in person. Still, he shows up. Not like a teacher, more like a presence that sneaks in when I’m frustrated with my own mind. It often happens deep into the night, usually when my energy is low. Often right after I've convinced myself that the practice is useless for now, or maybe for good.

It is nearly 2 a.m., and I can hear the rhythmic, uneven click of the fan. I ought to have repaired that fan long ago. My knee is throbbing slightly; it's a minor pain, but persistent enough to be noticed. I’m sitting but not really sitting, more like half-slouched, half-giving-up. My mind is cluttered with the usual noise: past recollections, future agendas, and random fragments of thought. Then I recall a detail about Munindra: he wasn't one to rush people or market enlightenment as some polished, epic adventure. He was known for his frequent laughter, a real and heartfelt kind. That trait remains in my mind more vividly than any technical instruction.

The Forgiving Presence in a World of Spiritual Performance
Vipassanā is often sold like this precision tool. "Observe this phenomenon. Note that state. Be precise. Never stop." I acknowledge that rigor is part of the tradition, and I hold that in high regard. However, on some days, that rigid atmosphere makes me feel as if I am failing an unrequested examination. Like I should be more serene or more focused after all this time. The image of Munindra I carry in my mind feels entirely different. Softer. More forgiving. Not lazy, just human.
I reflect on his vast influence, which he achieved without ever seeking status. He was a key teacher for Dipa Ma and a quiet influence on the Goenka lineage. Yet he stayed... normal? It’s an odd word to use, but it feels fundamentally correct. He didn’t turn more info practice into a performance. No pressure to be mystical. He lacked any ego about being unique; he simply offered kind attention to everything, especially the "ugly" parts of the mind.

The Ridiculous Drama of the Mind
Earlier today, during walking meditation, I got annoyed at a bird. Literally annoyed. It wouldn’t shut up. Then I noticed the annoyance. Then I got annoyed at myself for being annoyed. Classic. I had a brief impulse to coerce my mind into "correct" awareness. And then I remembered Munindra again. Or rather, the idea of him smiling at how ridiculous this whole inner drama is. Not mocking. Just… seeing it.
My back was damp with sweat, and the floor was chillier than I had anticipated. Breath came and went like it didn’t care about my spiritual ambitions. I often lose sight of the fact that the process is independent of my personal narrative. It simply unfolds. Munindra seemed to understand that deeply, without turning it into something cold or mechanical. A human consciousness, a human form, and a human mess. All of it is workable. All of it is worthy.

I don’t feel enlightened writing this. Not even close. I am fatigued, somewhat reassured, and a bit perplexed. My thoughts are still restless. I will likely face doubt again tomorrow. I will probably crave more obvious milestones, better results, or evidence that I am not failing. But for now, it is sufficient to recall that a man like Munindra lived, practiced this way, and maintained his human warmth.
The fan’s still clicking. The knee still hurts. The mind’s still loud. And strangely, that feels acceptable for the moment. Nothing is repaired or resolved, but it is enough to continue, just one ordinary breath at a time, without any pretension.